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In this article the author suggests that the persistence of a ‘performance model’ of early childhood music education has detracted attention from children's spontaneous musical activity. The article focuses on one dimension of children's spontaneous musicality: improvised singing. Descriptions of short episodes taken from two periods of observation, the first in a day-care setting among two- and three-year-olds and the second in a nursery among three-year-olds, provide examples of different kinds of improvised singing and how they are integrated into physical movement, and play with objects and malleable substances such as sand and water. The descriptions move into detailed discussion which draws attention to the way in which, as they play, the children's singing represents one mode blended among many and gives insight into time-based processes. The author goes on to suggest that these time-based processes support ways of engaging, either with material things or in interacting with others. The article contains a number of propositions for the benefits which might accrue from a reconsideration of singing in early childhood education.

Seen but Not Heard: Young Children, Improvised Singing and Educational Practice