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The themes in the sanctuary decoration at Markov Manastir (Christ Emmanuel,   Virgin Orans, Descent of the Holy Spirit on the Apostles), whose peculiar   iconographic elements reveal the mysteries of the Holy Trinity and the   archpriesthood of Christ in the liturgical and theological context of the   fourteenth century, are discussed in this paper. The remains of the text in   the leitourgikon held by Christ the Archpriest have been re-examined. It   seems plausible to assume that the inscription or a part of it referred to   the opening dialogue of the anaphora. The iconographic peculiarities of   individual items carried in the Great Entrance procession, modelled according   to the structure of the archieratical Divine liturgy, have been reconsidered.   It has been established that the way in which the large aer was carried, and   its place in the procession escorting the Eucharistic gifts - which was very   close to the holy offerings - followed the iconographic tradition of the   Heavenly Liturgy in the dome, while the evidence for its shape and size can   be found in a somewhat later liturgical source - the Patriarchal liturgical   Diataxis of Dimitrios Gemistos. [Projekat Ministarstva nauke Republike   Srbije, br. 177003: Medieval heritage of the Balkans: institutions and   culture

To picture and to perform: The image of the Eucharistic liturgy at Markov Manastir (II)