z-logo
open-access-imgOpen Access
A portrait oil lamp from Pontes: Possible interpretations and meanings within early Byzantine visual culture
Author(s) -
Sofija Petković,
Мilica Tapavički-Ilić,
Jelena Anđelković Grašar
Publication year - 2015
Publication title -
starinar
Language(s) - English
Resource type - Journals
eISSN - 2406-0739
pISSN - 0350-0241
DOI - 10.2298/sta1565079p
Subject(s) - portrait , byzantine architecture , meaning (existential) , sign (mathematics) , identification (biology) , visual culture , subject (documents) , head (geology) , the symbolic , history , art , art history , literature , visual arts , philosophy , classics , psychology , epistemology , psychoanalysis , computer science , geology , mathematical analysis , botany , mathematics , biology , library science , geomorphology
The subject of this paper is a fragmented oil-lamp, discovered at Pontes (east Serbia) dated to the 6th century, whose handle ending is shaped as a woman’s head. The question posed in this paper is whether the image of this woman could be identified as a portrait of some particular person or if it is just as a pictorial sign with some complicated symbolic meaning. The suggested identification alludes to the image of some of the empresses from the second half of the 6th century. [Projekat Ministarstva nauke Republike Srbije, br. 177007: Romanisation, urbanisation and transformation of urban centres of civil, military and residential character in Roman provinces in the territory of Serbia i br. 47018: Viminacium, Roman city and military camp - research of the material and non material culture of inhabitants by using the modern technologies of remote detection, geophysics, GIS, digitalization and3D visualization

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here
Accelerating Research

Address

John Eccles House
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom