A portrait oil lamp from Pontes: Possible interpretations and meanings within early Byzantine visual culture
Author(s) -
Sofija Petković,
Мilica Tapavički-Ilić,
Jelena Anđelković Grašar
Publication year - 2015
Publication title -
starinar
Language(s) - English
Resource type - Journals
eISSN - 2406-0739
pISSN - 0350-0241
DOI - 10.2298/sta1565079p
Subject(s) - portrait , byzantine architecture , meaning (existential) , sign (mathematics) , identification (biology) , visual culture , subject (documents) , head (geology) , the symbolic , history , art , art history , literature , visual arts , philosophy , classics , psychology , epistemology , psychoanalysis , computer science , geology , mathematical analysis , botany , mathematics , biology , library science , geomorphology
The subject of this paper is a fragmented oil-lamp, discovered at Pontes (east Serbia) dated to the 6th century, whose handle ending is shaped as a woman’s head. The question posed in this paper is whether the image of this woman could be identified as a portrait of some particular person or if it is just as a pictorial sign with some complicated symbolic meaning. The suggested identification alludes to the image of some of the empresses from the second half of the 6th century. [Projekat Ministarstva nauke Republike Srbije, br. 177007: Romanisation, urbanisation and transformation of urban centres of civil, military and residential character in Roman provinces in the territory of Serbia i br. 47018: Viminacium, Roman city and military camp - research of the material and non material culture of inhabitants by using the modern technologies of remote detection, geophysics, GIS, digitalization and3D visualization
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