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Olivera Mladenovic researched Vlach culture in the 1980s. Recordings   preserved in the archive of the Institute of Ethnography SASA also contain   examples of vocal practice of the Vlachs from Homolje region (Northeast   Serbia). The material was recorded on six audio cassettes, which were later   digitized. As ethnomusicological studies of this area are very scarce, the   recorded material certainly represents a valuable testimony to the musical   culture of the Vlach ethnic community. The aim of this article is to   determine the particularities of the recorded examples, based on   ethnomusicological analysis and transcription, as well as to isolate the   vocal genres found on these audio cassettes. Vocal examples from the   recordings of Olivera Mladenovic will be paired with existing examples from   the literature, as well as examples of current practice recorded by the   author of this article. In this way, at least a partial picture of the   Vlachs? musical life in Homol?? from the 1980s to the present day will be   established, and the comparison will allow us to observe continuity and   change.

Vlach vocal traditional music in the region of Homolje from the legacy of Olivera Mladenovic