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After the October Revolution, the Russian tradition of spiritual and folk   choral singing was introduced to the whole world by the active work of   choirs that appeared in exile. The Don Cossack Choir Sergei Jaroff and the   Metropolitan Choir of Alexander Nevsky Cathedral in Paris under Nikolai   Afonsky, were two unique choirs that stood out over time. During the   interwar period Jaroff?s Choir performed ten times in Belgrade with great   success. The capital?s press announced them with great enthusiasm and the   first Belgrade concert attracted the attention of significant critics such   as Miloje Milojevic, Branko Dragutinovic,Viktor Novak, Jovan Dimitrijevic   and Petar Bingulac. The day after their first concert in Belgrade in January   1929, The Don Cossack Choir Serge Jaroff attended a reception at the King   Alexander?s Court, who honored them on this occasion. The study of their   performances in the 1920s and 1930s in Belgrade is based on domestic   periodicals of that time and archival material from the Archives of   Yugoslavia.

„A Russian choir that Russia had never heard before“: The Don Cossack Choir Serge Jaroff on the concert stage in the interwar Belgrade