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Russian-Serbian cultural connections in a broader sense, represented through   direct parallels in Russian and Serbian sacral painting, architectural   decoration, sacral interior design and phenomen? in court art canons of the   last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched.   By using the concrete monuments, mostly in Russian style, Russian symbolism   and Art Nouveau, but also the court canon at the turn of the century in   Russia through the works of Russian emigrants after the October revolution   in Serbia during the 1920s and 1930s, the use of Russian pictorial features   and cultural models adapted to Serbian demands is going to be demonstrated.

muzikologija

A contribution to researching Russian-Serbian connections in sacral and court painting and architecture through the opera of Russian emigrants in Serbia between the world wars: Examples of adopting Russian models