English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Bearing in mind the position occupied by Yugoslav postwar music, in this   article I review certain compositional strategies implemented by Predrag   Milošević in his piece A Peasant’s Interview with a Foreign Journalist, by   means of which this modernist composer stepped into the field of socialist   realism. I will analyze the score in order to identify the most significant   compositional-technical strategies used by the composer. Further analyses   will encompass an interpretation of the piece with respect to the theories of   socialist realism, while a separate segment of this article will be dedicated   to some aspects of the relationship between this composition and writings   published at the time of its creation. I will then use these analyses to   emphasize some points in Milošević’s work where one can observe connections   with the theoretical output of his contemporaries, as well as with recent   writings that focus on understanding the place of socialist realism in   Serbian music history

A Peasant’s Interview with a Foreign Journalist by Predrag Milosevic in relation to the question of socialist realism in Serbian music history