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Aram Khachaturian remains a neglected figure in scholarship on Soviet music,   his work often held as exemplifying Socialist Realism at its most conformist.   In this article I suggest that folk music strongly influenced his style well   before the imposition of Socialist Realism, and that his musical language and   aesthetics have much more in common with those of contemporary composers in   the West than has previously been assumed. A central focus of the paper will   be to examine the role played by Soviet musicologists in placing questionable   critical constructs on Khachaturian’s career and creative achievement

Aram Khachaturian and socialist realism: A reconsideration