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This article presents the current state of the research and practical  methodology of the adaptation of Byzantine melodies written in the “New  Method” into foreign languages, with Romanian, English and Finnish serving as  examples. The adaptation of independent, “fixed” melodies as well as metrical  liturgical texts (prosomoia and canons) are examined. The challenges emerging  in adapting Byzantine chant into Finnish are also discussed. The author also  suggests some future subjects for research, which include the synthesis of  examining arrangements in both “Old” and “New Method”

Experiences in adapting post-byzantine chant into foreign languages: Research and praxis