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Folk music of Serbs from Kosovo and Metohija is considered to be archaic in   popular discourse. From the scientific side, that is supported by the   ethnomusicological printed and sound recordings, which are one of the first   sources about Serbian music folklore. Ethnomusicology in Serbia is based on   the results of music ethnography of the nineteenth and the twentieth century,   and because of that, it is primary focused on rural tradition. Also in the   last years’, popular music arrangements of some of these songs are often,   whereby music from Kosovo and Metohija is usually perceived as the rural   heritage. Nevertheless, music recorded during pioneer ethnomusicological   fieldworks in Kosovo and Metohija is mostly noted in the cities, in organized   “unauthentic” situations, and the performers were craftsmen, traders and   teachers. Although in the latter ethnomuscological literature music   classification according to the ritual background was common, the most of the   songs recorded on Kosovo and Metohija have not (strict) ritual function and   subject matter. The analysis of the Kosovo and Metohija songbooks of the   eminent ethnomusicologists from Serbia proved that urban folk music was very   present in the field, but troublesome for regular ethnomusicological   classification and interpretation, and also that there were several   informants with urban settlement who performed for these ethnomusicologists   plenty of folk songs. Since the first half of the twentieth century, these   ethnomusicological results have had great result on the popularization of   Kosovo and Metohija music heritage. The main goal of this paper is to point   on unjustified marginalization of the urban folklore at the   ethnomusicological discourse, to illuminate the approaches of the pioneers in   ethnomusicology in Serbia to the music heritage which has special   significance not only in expert framework and to discuss the role of   ethnomusicologist in the creation of the notion of “folk song”. [Projekat   Ministarstva nauke Republike Srbije, br. ON 177004: Identiteti srpske muzike   od lokalnih do globalnih okvira: Tradicije, promene, izazovi

Urban music from Kosovo and Metohija in the researches of Serbian ethnomusicologists up to the second half of the twentieth century