The "zograph" model of orthodox painting in Southeast Europe 1830-1870 | Zendy

Nenad Makuljević | Zendy

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The "zograph" model of orthodox painting in Southeast Europe 1830-1870

Author(s) -

Nenad Makuljević

Publication year - 2003

Publication title -

balcanica

Language(s) - English

Resource type - Journals

eISSN - 2406-0801

pISSN - 0350-7653

DOI - 10.2298/balc0334385m

Subject(s) - painting , civilization , ethnic group , ottoman empire , folklore , politics , empire , ancient history , period (music) , cultural heritage , history , art , art history , sociology , literature , aesthetics , anthropology , political science , archaeology , law

The "zograph" model of painting from 1830 to 1870 represents a important period of development in sacral Orthodox Christian art in the Ottoman Empire. It was formed as a component part of the church revival from 1830 to 1870 and a unified supra-national cultural model in South East Europe. The "zograph" model of Orthodox Christian painting shows that the region of "European Turkey" did not represent a civilization void, exclusively dominated by an ethnic folkloric culture, but a specific cultural model, conditioned by political, social and religious conditions

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