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espanolEste articulo surge a partir de la experiencia directa con el material aurico, observando sus cualidades fragiles y sus extraordinarias propiedades. Partiendo del modelo de estudio de la antropologia del material, resituamos el material oro en un plano de igualdad frente a la forma y, dentro de esa recolocacion, indagamos en las relaciones fluidas entre materia y artista en las practicas artisticas contemporaneas. Poniendo el foco en los flujos de los materiales, es por medio de los procesos como van creciendo conjuntamente creadores y materiales; en ese crecimiento se establecen conexiones, un meshwork de crecimiento y movimiento. Asi, el oro, sus propiedades y cualidades, pasan a ser sus acciones, sus recorridos y sus historias contadas a partir de una seleccion de obras auricas de Michelangelo Pistoletto, Lucio Fontana, Dora Garcia, John Armleder, Roni Horn, Cornelia Parker, Giovanni Corvaja y Marc Quinn, junto con los testimonios recogidos de Elena del Rivero, Sarah van Sonsbeeck y Fritizia Irizar. EnglishThis article stems from direct experience with gold as a material, attracted by its fragility, and its extraordinary properties. It proposes an anthropology of the material and bringing forth gold’s materiality, places it on equal terms with form, resituating the physical matter of gold to delve further into the fluid relationship between material and artist. The emphasis is placed on the flux of materials, as it is by means of the processes that makers and materials grow together, and as they grow, connections or meshworks are formed. Thus, with gold, its properties and qualities become its actions, its journeys and its histories told by the golden artworks created by Michelangelo Pistoletto, Lucio Fontana, Dora Garcia, John Armleder, Roni Horn, Cornelia Parker, Giovanni Corvaja and Marc Quinn and the testimonies of Elena del Rivero, Sarah van Sonsbeeck and Fritizia Irizar.

El oro como material cultural en el arte contemporáneo. Una aproximación a la cultura del material.