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Divine, Philosophical, and Existential dimension of Gerard Manley Hopkins’ poetry
Author(s) -
Anil Jyadeo Ganvir
Publication year - 2020
Publication title -
journal of humanities and education development
Language(s) - English
Resource type - Journals
ISSN - 2581-8651
DOI - 10.22161/jhed.2.3.12
Subject(s) - existentialism , poetry , happiness , harmony (color) , philosophy , spirituality , depiction , dualism , literature , psychoanalysis , aesthetics , epistemology , art , psychology , social psychology , medicine , alternative medicine , pathology , visual arts
The research paper aims to exhibit and explore pious, philosophical, and existential aspects of Gerard Manley Hopkins’ selected poems which remain an invaluable contribution to the shape and development of the Christian thought both for theologians and academic critics. The author of the article emphasizes that Hopkins’s challenging, highly ambitious and complex works, filled with spiritual anxiety, dualism and struggle between reason and sensuality, harmony and violence, happiness, and suffering, were mostly reject able by the Victorian audience and critics. Hopkins’s “model of the world” (Baranczak 1981), his depiction of tragic human existence and the presentation of two contradictory facets of God meet more the expectations of contemporary readers and are more appreciable by today’s thinkers, philosophers, and critics.

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