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This article examines how the image of the black woman from the countryside who moves to Luanda was developed at three key moments in Angolan literature as a means of constructing national identity. The analysis focuses on Nga Muturi (1882), by Alfredo Troni ; “Linda,” a short story from A Casa da Maezinha , by Antonio Cardoso; and “Martinha,” a short story from Momento de Ilusao  (2000), by Fragata de Morais.

A Body to Make Luanda: The Black Woman from the Countryside in Angolan Literature