Empty Room, how to compose and spatialize electroacoustic music in VR in ambisonic and binaural | Zendy

Christine Webster | Zendy; François Garnier | Zendy; Anne Sédès | Zendy

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Empty Room, how to compose and spatialize electroacoustic music in VR in ambisonic and binaural

Author(s) -

Christine Webster,

François Garnier,

Anne Sédès

Publication year - 2017

Publication title -

international journal of virtual reality

Language(s) - English

Resource type - Journals

eISSN - 2727-9979

pISSN - 1081-1451

DOI - 10.20870/ijvr.2017.17.2.2889

Subject(s) - spatialization , ambisonics , binaural recording , virtual reality , human–computer interaction , computer science , electroacoustic music , multimedia , presentation (obstetrics) , computer graphics (images) , musical , loudspeaker , engineering , art , speech recognition , visual arts , medicine , literature , electrical engineering , radiology

Presentation of the Empty Room project, dedicated to the exploration of new musical composition and spatialization methods in virtual 3D spaces developped on multiplayer or mono player technologies such as Second Life, Open Simulator and Unity 3D, using the latest video game and virtual reality technologies.

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