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This article presents, from a phenomenological perspective, a commented interview with the composer Rafael Felício. The script for this interview was structured in order to understand the creative process developed by the composer during the composition of the piece Aurora: a love story in 3 haicais. This piece was created from a collaborative action between singer (here the interviewer) and composer and it is inserted in the context of contemporary concert vocal music. For each answer obtained from the 1 “Breve composição poética, de origem japonesa [...], que se funda nas relações profundas entre homem e natureza; e obedece à estrutura formal de 17 sílabas ou fonemas, distribuídos em 3 versos. O fundamento filosófico do haikai segue um [...] preceito budista de que tudo neste mundo é transitório e que o importante é sabermo-nos feitos de mudanças contínuas como a natureza e as estações (primavera, verão, outono e inverno)” (COELHO, 2009). Música vocal contemporânea: a ótica do criador em uma entrevista comentada Régis de Carvalho (Universidade Federal do Rio de Janeiro, Rio de Janeiro-RJ)