CENGİZ DAĞCI’NIN ÜŞÜYEN SOKAK ADLI ROMANINDA MEKÂNİNSAN ÖZDEŞİKLİĞİ

Modernistler insani ruh-beden sentezi olarak gorurler. Bu nedenle modern tarzda kurgulanan romanlarda ic monolog, ic diyalog, bilinc akimi, montaj gibi teknikler sikca kullanilarak kahramanlarin ruh dunyalarina dikkat cekilir. Boylece insanin kendini tanima ve dunyayi anlama surecini irdeleme amaclanir. Sozu edilen romanlarda mekân unsuru da insanin psikolojisini yansitma zemini olarak kullanilir. Cengiz Dagci, romanlarinda -genel olarak- Sovyet yonetimi altinda baski, siddet ve surgunlerle aci ceken Kirim-Tatar Turklerinin hikâyesini anlatmistir. 1947’den sonraki butun hayatini gurbette geciren sanatcinin eserlerinde “yitik” vatan ozleminin tetikledigi, mitik ozelliklerle donatilmis toprak imgesi dikkati ceker. Cennete ozgu guzelliklerin yasandigi, mutlu zamanlarin mekânidir vatan. Onlar da Insandi, O Topraklar Bizimdi, Korkunc Yillar, Yurdunu Kaybeden Adam gibi romanlarda yukarida sozu edilen vatan / toprak imgesi genis yer bulur. Ancak, sanatcinin Badem Dalina Asili Bebekler adli romaninin devami kabul edilebilecek olan Usuyen Sokak, mekân unsurunu ele alma bakimindan digerlerinden farklidir. Yazar, Usuyen Sokak’ta II. Dunya Savasi yillarinda baskisi Haluk’un siginma amaciyla bir apartman dairesinde gecirdigi uc gunluk sureyi anlatir. Butun olaylar baskisinin sokaga bakan pencere onunde sokaktaki olaylari izlemesi uzerine kurgulanmistir. Bu makalede baskisi Haluk’un perspektifinden insanin kendini anlama ve dunyayi anlamlandirma surecinde mekân ile kurdugu iliski irdelenecektir. Anahtar Sozcukler: Cengiz Dagci, Usuyen Sokak, Mekân-Insan Ozdesikligi. IDENTICALNESS OF PLACE-HUMAN IN CENGIZ DAĞCI’S NOVEL UŞUYEN SOKAK Abstract: The Modernists consider the human being as a synthesis of soul-body. Thus, the techniques such as interior monologue, interior dialogue, stream of consciousness, montage techniques are often used to emphasize the inner worlds of the characters. In this way, selfunderstanding and the process of comprehending the world are intended to examine. In his novels, Cengiz Dagci, generally, tells the story and sufferings of Turks who are under the oppression, violence, and exile of The Soviet regime. After 1947, Cengiz Dagci spent all his life abroad and he generally uses the image of soil that is furnished with mythical elements, and triggered by the “lost” homesickness in his novels. Motherland is such a place in which heavenly beatuies and happy times have been existed. In his novels, such as “Onlar da Insandi, O Topraklar Bizimdi, Korkunc Yillar, Yurdunu Kaybeden Adam”, motherland/soil image is widely used. Usuyen Sokak novel is different than others in terms of handling the element of place. The writer in Usuyen Sokak tells the story of the main character Haluk who spent his three days in an apartment for sheltering during the World War II. The events are arranged upon the protagonist’s perspective from his apartment window. This article investigates the main character Haluk’s relationship with place in his process of self-understanding and identifying the world. Keywords: Cengiz Dagci, Usuyen Sokak, Identicalness of Place-Human.