z-logo
open-access-imgOpen Access
King John in the “Vormärz”: Worrying Politics and Pathos
Author(s) -
Robert Gillett
Publication year - 2019
Publication title -
multicultural shakespeare translation appropriation and performance
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.102
H-Index - 2
eISSN - 2300-7605
pISSN - 2083-8530
DOI - 10.18778/2083-8530.19.04
Subject(s) - politics , parallels , period (music) , nationalism , german , law , compromise , tragedy (event) , democracy , sociology , political science , history , philosophy , aesthetics , social science , economics , operations management , archaeology
This article picks up on a tendency of recent criticism to look to Shakespeare for insights into contemporary politics, and extends it backwards to the period of German history known as the “Vormärz”―the period between 1815 and 1848. It establishes parallels between that period and the current debates about Brexit, and shows how equivalent issues are reflected in the accounts of King John given by three leading German critics of the “Vormärz” period―which also successively demonstrate the deleterious rise of German nationalism. These issues include: the weaknesses, mistakes and crimes of the powerful, and their effect both on the nation directly afflicted with them, and on others; the issue of national sovereignty and its relationship to the fellowship of nations; the struggle against arguably alien ways of thinking; the dividing line between necessary compromise and rank betrayal; the dilemma of choice; and the poisoned chalice of democratic freedom. And the parallels they establish between Shakespeare, the “Vormärz” and us are as instructive as they are unsettling.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here
Accelerating Research

Address

John Eccles House
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom