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Martial arts historiography has been at the center of China’s culture wars and a cause celebre between traditionalists and modernizers for the better part of a century. Nowhere are the stakes higher than with the iconic art of taijiquan , where, based on a handful of documents in the Chen, Wu, and Yang lineages, traditionalists have mythologized the origins of taijiquan, claiming the Daoist immortal Zhang Sanfeng as progenitor, while modernizers won official government approval by tracing the origins to historical figures in the Chen family. Four new document finds, consisting of manuals, genealogies, and stele rubbings, have recently emerged that disrupt the narratives of both camps, and, if authentic, would be the urtexts of the taijiquan ‘classics’, and force radical revision of our understanding of the art. This article introduces the new documents, the circumstances of their discovery, their contents, and the controversies surrounding their authenticity and significance, as well as implications for understanding broader trends in Chinese culture and politics.

Fighting Words: Four New Document Finds Reignite Old Debates in Taijiquan Historiography