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Resumo: Este artigo busca compreender como as representacoes dos ciganos no cinema documentario brasileiro contemporâneo dialogam com as representacoes sociais da etnia presentes nos relatos historicos brasileiros a partir do seculo XVI ate o inicio do seculo XX. Esta reflexao analisa as experiencias audiovisuais de Alice Lanari (Escuta, Gajon) e Luciana Sampaio (Diana e Djavan: o casamento cigano).  PALAVRAS-CHAVE: ciganos, imagem, representacao, estereotipo e alteridade.

Ciganos no Documentário Brasileiro: imagens no passado refletidas no presente