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The article by Gomez and Herrera presents an original methodology, audaciously situated on a challenging junction between computer science, cognitive science and ethnomusicology. We hope expert ethnomusicologists will understand the experimental aspect of such a cross-disciplinary undertaking, and will pardon the potential imperfection in this computational attempt toward cross-cultural understanding. Despite the few shortcomings discussed in this commentary, we think the general methodology described in this paper is of high interest.

empirical musicology review

Commentary on "Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction" by Emilia Gómez, and Perfecto Herrera