The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity | Zendy

Yulia Vsevolodovna Mikheeva | Zendy

AI Assistant Blog Pricing

Home ZAIA Blog

Open Access

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Author(s) -

Yulia Vsevolodovna Mikheeva

Publication year - 2018

Publication title -

journal of film arts and film studies

Language(s) - English

Resource type - Journals

eISSN - 2713-2471

pISSN - 2074-0832

DOI - 10.17816/vgik10440-52

Subject(s) - identity (music) , originality , movie theater , context (archaeology) , relevance (law) , political science , national identity , focus (optics) , gender studies , sociology , aesthetics , geography , law , history , art , politics , art history , creativity , physics , archaeology , optics

The articles originality and relevance reside in the fact that it considers Russian films about the provinces in the context of strengthening national identity, one of the main tasks of the governments cultural policy. The author surveys the films of the 2000s which not only touch upon quite acute issues of Russian societys self-identity but stimulate the process of their solution.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.

Having issues? You can contact us here

Accelerating Research