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Mimarligin kokenini bulmak, antik donemde Marcus Pollio Vitruvius ile baslayan ve kendini ‘ilkel kulube’ teriminde var eden bir sorgulama surecini tariflemektedir. Bu sorgulama sureci, ozellikle Aydinlanma Cagi ile beraber analitik ve rasyonel sorgulama icerisinde, Quatremere de Quincy, Viollet-le-Duc, William Chambers, Jacques-Francois Blondel ve Claude Nicolas Ledoux, gibi bircok onemli figur tarafindan en cok tartisilan kavramlardan biri olmustur. Ancak bu isimler arasinda iki onemli mimarlik kuramcisi Marc-Antoine Laugier ve Jean-Nicolas-Louis Durand, mimarligin kokenini kurguladiklari ilkel kulubenin olusum surecine dair iki farkli kurgu sunmuslardir. 18. Yuzyil Fransa’sinin bu iki onemli mimarlik kuramcisi, ‘ideal mimarinin’ ve ulasilmasi istenen ‘gercek guzelligin’ ne oldugunun temellerini ilkel kulube metaforu uzerinden kurguladiklari icin bu iki farkli gorus, karsilastirmali bir arastirmayi gerektirmektedir. Anahtar Sozcukler: Mimarligin Kokeni, Ilkel Kulube, Aydinlanma, Laugier, Durand

Laugier vs Durand: Revisiting Primitive Hut in the Classical Architectural Discourse