Dispersed and Dislocated: The construction of liveness in live intermedial performance | Zendy

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Dispersed and Dislocated: The construction of liveness in live intermedial performance

Author(s) -

Jo Scott

Publication year - 2012

Publication title -

body space and technology

Language(s) - English

Resource type - Journals

SCImago Journal Rank - 0.106

H-Index - 2

ISSN - 1470-9120

DOI - 10.16995/bst.75

Subject(s) - liveness , affect (linguistics) , relation (database) , point (geometry) , power (physics) , aesthetics , computer science , art , sociology , mathematics , communication , physics , theoretical computer science , geometry , quantum mechanics , database

This article focuses on an analysis of the live intermedial performance, The Mark of Affect. Using the theories of Philip Auslander (2008), Erika Fischer-Lichte (2008) and Roberta Mock (in Power 2008) as a starting point, three moments from the performance are analysed in relation to liveness; specifically, how it is constructed and manifests itself within this performance. In all cases, the combinations of live and mediatised acts are seen as creating hybrid forms of liveness, which exist both within and through the technology employed on stage.

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