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In this article, the author compares, from the point of view of the imaginated North—conceived as a system of signs,—two issues of poetry journals which both propose to think, in the North, a place where the relationships between reality, fiction, power, politics, history and poetry, blur. The first, published in Paris in 1961 in the Cahiers du College de ‘Pataphysique, deals with “the North Pole”; the second, published in Montreal in 1964 in the journal Liberte, deals with the “Manicouagan”, a river in northern Quebec. Both place poetry at the highest of literary expressions; both relate to the North; both finally blur the lines between the real and the imaginary. Despite the difference in their context of enunciation, they testify to the importance of literature in the construction and constitution of the North as an idea and as an imagined space in the Euro-American world and in Francophone literature. The author notes, from the point of view of the study of cultural images, that the North seems, for all authors, impossible to grasp outside of discourse, here that of literature and poetry. The imagined North as the sum of discourse in continuous movement is here the experimental site of the confluence of knowledge and forms of expression. Resume Dans le present article, 1 l’auteur compare, du point de vue de l’imaginaire du Nord concu comme un systeme de signes, deux numeros de revue de poesie qui proposent tous deux de penser, au Nord, un lieu ou peuvent se brouiller les rapports entre realite, fiction, pouvoir, politique, histoire et poesie. Le premier, publie a Paris en 1961 dans les Cahiers du College de ‘Pataphysique, a pour theme le « Pole Nord »; le second, publie a Montreal en 1964 dans la revue Liberte, porte sur la « Manicouagan », une riviere du Nord du Quebec. Tous deux placent la poesie au plus haut des expressions litteraires, traitent du Nord et proposent un brouillage des frontieres entre le reel et l’imaginaire. Malgre la difference de leur contexte d’enonciation, ils temoignent de l’importance de la litterature dans la construction et la constitution du Nord comme idee et comme imaginaire dans le monde occidental et en langue francaise. L’auteur constate, du point de vue de l’imaginaire, que le Nord semble, pour tous ces ecrivains, impossible a saisir hors du discours, ici celui de la litterature et de la poesie. L’imaginaire du Nord en tant que somme de discours en mouvement continuel devient le lieu experimental de la confluence des savoirs et des formes d’expression. Mots-cles: Imaginaire; Nord; Pataphysique; France; Quebec; Poesie

La poésie, l’absurde, le réel et le Nord Le Collège de ‘Pataphysique et les poètes de la revue Liberté