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The journey across the Atlantic Ocean made by Mr. Rochester and his creole wife, Bertha, is barely mentioned in Charlotte BrontA«âs Jane Eyre . I argue, however, that Jane Eyreâs preoccupation with images of stormy seas suggests this particular voyage is more dramatic and much more crucial for understanding the novel than previously recognised. Through Janeâs imagination, the story of the ocean-crossing is subtly told, and it contains a critique of certain axioms of colonialism that the novel seemingly supports. In the article I argue that the implications of Janeâs fascination for the sea have previously been grasped by one reader: Jean Rhys. I make the case that her novel Wide Sargasso Sea can be read as an interpretation of Janeâs musings on marine images.

Shipwrecks and marine phantoms in <i>Jane Eyre</i> and <i>Wide Sargasso Sea</i>