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(Post)-conflict Memories and Identity Narratives in the Documentary Series I Am Africa
Author(s) -
Isabel Moreira Macedo,
Rosa Cabecinhas,
Lurdes Macedo
Publication year - 2013
Publication title -
observatorio (obs*)
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.265
H-Index - 11
ISSN - 1646-5954
DOI - 10.15847/obsobs732013693
Subject(s) - narrative , collective memory , independence (probability theory) , portuguese , diversity (politics) , gender studies , identity (music) , cape verde , swahili , history , sociology , media studies , geography , political science , ethnology , anthropology , literature , aesthetics , art , linguistics , law , statistics , philosophy , mathematics
During the last century, film and video have become important inspiring documents of collective memory; in this century, they have become an increasingly important source of evidence and historical reflection. This paper aims to analyse the documentary series I Am Africa. Consisting of ten episodes, I Am Africa gives voice to ten citizens – two from each of the Portuguese-speaking African countries: Angola, Cape Verde, Guinea-Bissau, Mozambique, and Sao Tome and Principe – with significant civic involvement in the development of the nations where they were born and currently live. Through thematic analysis of the ten stories, which make up the documentary series, were located the predominant themes in the narratives of those involved. The results of this research show the narrative organization of the ten interviewees in three central themes: the meanings of independence, which involve the representations of the people who have participated in the process of (de)colonization; the perceptions about the cultural and linguistic diversity in their countries; and, finally, the discourses associated with the (re)making of national identities.

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