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Jazz journalism is a challenging but worthwhile profession. To do the job well, one must have some or all of the following qualities: nuanced critical sensibilities; musical, social, and psychological insights; well-honed skills of immediate recall as well as long-term memory; personal literary, photographic and/or broadcasting style; business acumen, and the imaginative flexibility of a good improviser. A jazz journalist has to know how to (and be able to) produce on deadline, should be something of an anthropologist, and have at least basic chops as a researcher, entertainer, teacher and traveler. A jazz journalist — by which I mean writers and photographers publishing principally in periodicals, as well as broadcasters and web-professionals, all concerned largely, if not exclusively, with jazz — should be able to hang with the cats and be as conversant, if not expert, with the totality and trivia of contemporary culture as anyone else in the room.

The History, Myths, Values and Practices of Jazz Journalists