The History, Myths, Values and Practices of Jazz Journalists
Author(s) -
Howard Mandel
Publication year - 2005
Publication title -
jazz research journal
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.101
0eISSN - 1753-8645
pISSN - 1753-8637
DOI - 10.1558/source.v2i1.71
Subject(s) - jazz , mythology , journalism , jazz dance , art , aesthetics , literature , visual arts , sociology , media studies , dance , concert dance
Jazz journalism is a challenging but worthwhile profession. To do the job well, one must have some or all of the following qualities: nuanced critical sensibilities; musical, social, and psychological insights; well-honed skills of immediate recall as well as long-term memory; personal literary, photographic and/or broadcasting style; business acumen, and the imaginative flexibility of a good improviser. A jazz journalist has to know how to (and be able to) produce on deadline, should be something of an anthropologist, and have at least basic chops as a researcher, entertainer, teacher and traveler. A jazz journalist — by which I mean writers and photographers publishing principally in periodicals, as well as broadcasters and web-professionals, all concerned largely, if not exclusively, with jazz — should be able to hang with the cats and be as conversant, if not expert, with the totality and trivia of contemporary culture as anyone else in the room.
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