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Art Music by Caribbean Composers: St. Lucia
Author(s) -
Christine Gangelhoff,
Cathleen LeGrand
Publication year - 2013
Publication title -
international journal of bahamian studies
Language(s) - English
Resource type - Journals
ISSN - 2220-5772
DOI - 10.15362/ijbs.v19i2.192
Subject(s) - melody , dance , entertainment , creole language , musical , art , indigenous , popular music , history , spelling , literature , singing , visual arts , character (mathematics) , art history , linguistics , philosophy , acoustics , ecology , physics , geometry , mathematics , biology
Musical traditions of St. Lucia are in many ways similar to those of the other Caribbean islands colonized by the French. Lamagrit (La Marguerite) and Lawoz (La Rose), two societies founded in the 19th century, maintain and influence musical traditions. Both societies hold annual Flower Festivals which feature traditional and popular music (Renard, 2005). Music and dance derived from European dance traditions appear in indigenous forms on St. Lucia. Kwadril (the local creole spelling of quadrille), in particular was, until recently, a popular evening entertainment (Guilbault, 1998). The melodies for quadrilles and other Caribbean contra-dances are “predominantly European in character, although they may be enlivened by conventional improvised embellishments and syncopations, as when St. Lucian fiddlers alternate phrases (and often renditions of a given tune fragment) in binary and ternary meter” (Manuel, 2009, p. 24).

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