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Musical Features That Facilitate Melody Identification: How Do You Know It's “Your” Song When They Finally Play It?
Author(s) -
Matthew D. Schulkind,
RACHEL J. POSNER,
David C. Rubin
Publication year - 2003
Publication title -
music perception an interdisciplinary journal
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.584
H-Index - 57
eISSN - 1533-8312
pISSN - 0730-7829
DOI - 10.1525/mp.2003.21.2.217
Subject(s) - melody , identification (biology) , phrase , musical , parallels , variety (cybernetics) , psychology , perception , linguistics , speech recognition , cognitive psychology , communication , natural language processing , computer science , artificial intelligence , art , literature , engineering , biology , mechanical engineering , philosophy , botany , neuroscience
What information do listeners use to “Name that Tune”? This question was investigated in a two-phase experiment. In Phase 1, the participants heard familiar melodies that were played on a note-by-note basis until they were identified. In Phase 2, each note of the melody was analyzed along a variety of musical dimensions. Multiple regression analyses determined which musical characteristics predicted identification performance. Identification was most strongly associated with notes located at phrase boundaries, notes that completed alternating sequences of rising and falling pitches, and metrically accented notes. As well, identification peaked after listeners heard moderate amounts of information (i.e., 5–7 notes). The data suggest that melody identification is a holistic, all-ornone process and that parallels can be drawn between melody and spoken word identification. Implications for current theories, future research, and the relationship between music perception and melody identification are discussed.

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