z-logo
open-access-imgOpen Access
Nisei Politics of Identity and American Popular Music in the 1930s and 1940s
Author(s) -
Susan Miyo Asai
Publication year - 2009
Publication title -
ethnic studies review
Language(s) - English
Resource type - Journals
eISSN - 2576-2915
pISSN - 1555-1881
DOI - 10.1525/esr.2009.32.2.92
Subject(s) - politics , ideology , immigration , nationalism , identity (music) , dominance (genetics) , political science , power (physics) , gender studies , identity politics , legislation , political economy , sociology , law , aesthetics , art , biochemistry , chemistry , physics , quantum mechanics , gene
G rowing nationalist thinking and anti immigration legislation in American politics today cal ls for a critical historicizing of the continuing ambiguities of U . S . citizen ry and notions of what it is to be an American . The identity crisis of Nisei-second generation Japanese Americans resu lted from the complex intersection of America's racialized ideology toward immigrants, California 's vi rulent anti -Asian agitation , and the economic and political power struggles between the United States and Japan in gain ing dominance of the Pacific region . For many Nisei music served to reinforce thei r American identity during the tense years leading up to World War I I . Swing music , popu lar music of the day, sparked a dance craze during the 1 930s and 1 940s among young Americans . Because Nisei were coming of age during this period , I chose to study the i nfluence of popu lar m usic on the formation of thei r identity. I nterviews with West Coast Nisei about the role of music in thei r lives serve to test my premise .

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here
Accelerating Research

Address

John Eccles House
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom