z-logo
open-access-imgOpen Access
In Search of a “Singular I:” A Structurational Analysis of Passing
Author(s) -
Marcia Alesan Dawkins
Publication year - 2005
Publication title -
ethnic studies review
Language(s) - English
Resource type - Journals
eISSN - 2576-2915
pISSN - 1555-1881
DOI - 10.1525/esr.2005.28.2.1
Subject(s) - white (mutation) , phenomenon , scholarship , identity (music) , representation (politics) , accidental , sociology , perspective (graphical) , aesthetics , history , visual arts , epistemology , law , political science , art , philosophy , biochemistry , chemistry , physics , politics , acoustics , gene
It is easy to envision the socio-cultural phenomenon of passing as a relic of a bygone era, yet passing is markedly more. From a historical perspective, “passing-as-white” is a strategy of representation through which light-skinned, white-looking, legally non-white Americans attempt(ed) to reconcile “two unreconciled ideals:” their limited opportunities as non-white people in a segregated society with their idealized life goals as full American citizens (DuBois, 1903; Candy, 1998). Recent scholarship on the phenomenon explains that passing is more than a masquerade. Passing can be accidental, incidental, or a committed lifestyle that is noted: when people effectively present themselves as other than who they understand themselves to be…[and] when other people actually see or experience the identity that the passer is projecting, whether the passer is telegraphing that identity by intention or by chance (Kroger, 2003, p. 7-8).

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here
Accelerating Research

Address

John Eccles House
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom