In Search of a “Singular I:” A Structurational Analysis of Passing
Author(s) -
Marcia Alesan Dawkins
Publication year - 2005
Publication title -
ethnic studies review
Language(s) - English
Resource type - Journals
eISSN - 2576-2915
pISSN - 1555-1881
DOI - 10.1525/esr.2005.28.2.1
Subject(s) - white (mutation) , phenomenon , scholarship , identity (music) , representation (politics) , accidental , sociology , perspective (graphical) , aesthetics , history , visual arts , epistemology , law , political science , art , philosophy , biochemistry , chemistry , physics , politics , acoustics , gene
It is easy to envision the socio-cultural phenomenon of passing as a relic of a bygone era, yet passing is markedly more. From a historical perspective, “passing-as-white” is a strategy of representation through which light-skinned, white-looking, legally non-white Americans attempt(ed) to reconcile “two unreconciled ideals:” their limited opportunities as non-white people in a segregated society with their idealized life goals as full American citizens (DuBois, 1903; Candy, 1998). Recent scholarship on the phenomenon explains that passing is more than a masquerade. Passing can be accidental, incidental, or a committed lifestyle that is noted: when people effectively present themselves as other than who they understand themselves to be…[and] when other people actually see or experience the identity that the passer is projecting, whether the passer is telegraphing that identity by intention or by chance (Kroger, 2003, p. 7-8).
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