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Pay Me No Mind
Author(s) -
Jim Hinch
Publication year - 2011
Publication title -
boom
Language(s) - English
Resource type - Journals
eISSN - 2153-764X
pISSN - 2153-8018
DOI - 10.1525/boom.2011.1.4.6
Subject(s) - immigration , politics , identity (music) , work (physics) , religiosity , sociology , political science , aesthetics , law , art , engineering , mechanical engineering
The work of artist and former East L.A. gang member Fabian Debora highlights the religiosity of Los Angeles' myriad immigrant communities. Debora paints within the Chicano tradition but, like many young contemporary Chicano artists, looks beyond the movement's historic focus on political activism and Chicano identity. Debora draws inspiration from his immigrant-rich Boyle Heights neighborhood, where religious institutions such as Debora's Delores Mission Catholic parish form part of an immense citywide immigrant religious infrastructure. Debora's work suggests that L.A.'s current role as America's immigration capital has spiritual as well as cultural and political ramifications.

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