z-logo
open-access-imgOpen Access
Artivity: Documenting Digital Art Practice
Author(s) -
Athanasios Velios,
Sebastian Faubel,
Moritz Eberl
Publication year - 2017
Publication title -
electronic workshops in computing
Language(s) - English
Resource type - Conference proceedings
ISSN - 1477-9358
DOI - 10.14236/ewic/eva2017.24
Subject(s) - context (archaeology) , digital art , computer science , visual arts , the arts , process (computing) , fine art , software , art , art history , history , performance art , archaeology , operating system , programming language
Arguments and interpretations made while researching the arts are based on historical evidence. The technical analysis of artworks and artists' archives supply such evidence with the objective being to provide answers on how and why an artwork was made, i.e. how can artistic practice be described? Identifying such evidence in digital art is difficult due to the lack of the artwork's physical manifestation. Available resources about the artwork often concern long-term digital preservation, e.g., Serexhe (2012), and not the practice. Information on the process and context of the artwork is typically lost. In this paper we present a method for capturing part of this contextual data. We also present an implementation in the form of a software tool called Artivity. We highlight a case study with data by the artist Gino Ballantyne. We discuss the limitations of our approach and the expected use of the tool.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here
Accelerating Research

Address

John Eccles House
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom