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Why did Constructivist artists of the 60s and 70s find it so hard to switch from calculators and graph paper to BASIC and PCs? Was there something in their pre-computer 'programmatic' ways of working that did not readily transfer to computer programming - something that could now be recovered and used to refresh current software based art practices that constantly struggle with the limitations of proprietary operating systems, desktop interfaces and network protocols?

PROGRAM, BE PROGRAMMED OR FADE AWAY: COMPUTERS AND THE DEATH OF CONSTRUCTIVIST ART