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City of Permanent Temporality
Author(s) -
Elma van Boxel,
Kristian Koreman
Publication year - 2018
Publication title -
joelho
Language(s) - English
Resource type - Journals
eISSN - 1647-8681
pISSN - 1647-9548
DOI - 10.14195/1647-8681_9_1
Subject(s) - skyline , multiculturalism , capital city , period (music) , capital (architecture) , atmosphere (unit) , sociology , history , law , political science , geography , art , archaeology , aesthetics , economic geography , meteorology
On July 22nd, 2001, there was the third shooting in a month. The municipality of Rotterdam declared the area around Rotterdam Centraal Station a zero-tolerance zone, installed 360o security cameras, and imposed the umpteenth ban on disreputable bars and clubs; thus, another twenty meters of boarded-up shop fronts. It was 2001; a strange year in which the rise of the right-wing populist politician Pim Fortuyn coincided with Rotterdam’s celebration of cultural diversity as the Cultural Capital of Europe and the announcement that multiculturalism was a failure in the Netherlands. And finally, there was 9/11. On the Hofplein, a major traffic junction in Rotterdam’s city center, these expressions of hope and hopelessness came into sharp focus. Citizens, in search of an appropriate city square, took to occupying the Hofplein roundabout to celebrate or to mourn. The administrative nervousness that arose in this confused period was repeatedly expressed in even stricter policies to keep the city and especially its streets ‘clean, well maintained, and safe.’ Ensuring a lively atmosphere on Rotterdam’s streets was difficult enough, never mind the additional measures being deployed to systematically remove the last traces of the informal use of the public domain.

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