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From Action Art to Artivism on Instagram: Relocation and instantaneity for a new geography of protest
Author(s) -
Asunción Bernárdez Rodal,
Graciela Padilla Castillo,
Roxana Popelka Sosa Sánchez
Publication year - 2019
Publication title -
catalan journal of communication and cultural studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.214
H-Index - 5
eISSN - 1757-1901
pISSN - 1757-1898
DOI - 10.1386/cjcs.11.1.23_1
Subject(s) - action (physics) , relocation , sociology , character (mathematics) , aesthetics , collective action , media studies , economic geography , history , political science , art , law , geography , politics , physics , geometry , mathematics , quantum mechanics , computer science , programming language
This article addresses how the concept of ‘Action Art’, which came mainly from the anti-cultural movements of May 1968 in Europe, has been transformed into the term Artivism. The main hypothesis is that it is a succession of committed and protest art, transformed by two fundamental elements: the emergence of social networks and the exposure of a very young audience to artistic creation through this network. This type of creative action has acquired an urban character that is strongly linked to civil protest movements. In the second part, this article discusses how both terms circulate as Instagram hashtags in this delocalized world of networks. The terms are used to show that, beyond transcending national territories, new, significant geographies are continually being reconstructed.

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