Learning theory through doing: Applying design studio methods in the construction of an academic argument
Author(s) -
Mike McAuley,
Mark Roxburgh
Publication year - 2017
Publication title -
art design and communication in higher education
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.206
H-Index - 7
eISSN - 2040-0896
pISSN - 1474-273X
DOI - 10.1386/adch.16.2.171_1
Subject(s) - context (archaeology) , argument (complex analysis) , designtheory , set (abstract data type) , action (physics) , design studio , studio , computer science , action research , presentation (obstetrics) , practice theory , communication design , mathematics education , pedagogy , psychology , multimedia , epistemology , human–computer interaction , telecommunications , biochemistry , chemistry , philosophy , medicine , paleontology , physics , radiology , quantum mechanics , biology , programming language
This paper presents the outcomes of an action research inquiry that set out to enhance first-year visual communication student learning of design theory and history through the incorporation of creative practice methods commonly used in practical design studio environments. As educators of both design theory and practice, our previous observations of how novice design students engaged with theory, compared to how they engaged with practice, led us to the decision that change was required to facilitate deeper understanding of theoretical discourse through the incorporation of creative practice methods. That was our ‘call to action’. The methods, described in the article as interventions, were introduced to support the critical and analytical thinking necessary to engage with theoretical discourse. They can also be thought of as learning strategies incorporated to enhance student learning and involved creative thinking exercises, visualization techniques, collaboration and audience presentation. Our findings demonstrate that student learning of design theory and history can be enhanced when creative practice methods are employed within a critical studies context and that discourse in design education is no longer the exclusive domain of the written word.Full Tex
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