The Science of Style: In Fashion, Colors Should Match Only Moderately
Author(s) -
Kurt Gray,
Peter A. Schmitt,
Nina Strohminger,
Karim Kassam
Publication year - 2014
Publication title -
plos one
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.99
H-Index - 332
ISSN - 1932-6203
DOI - 10.1371/journal.pone.0102772
Subject(s) - clothing , simplicity , nothing , balance (ability) , goldilocks principle , style (visual arts) , aesthetics , key (lock) , psychology , advertising , computer science , visual arts , art , epistemology , business , philosophy , biology , computer security , law , political science , neuroscience , astrobiology
Fashion is an essential part of human experience and an industry worth over $1.7 trillion. Important choices such as hiring or dating someone are often based on the clothing people wear, and yet we understand almost nothing about the objective features that make an outfit fashionable. In this study, we provide an empirical approach to this key aesthetic domain, examining the link between color coordination and fashionableness. Studies reveal a robust quadratic effect, such that that maximum fashionableness is attained when outfits are neither too coordinated nor too different. In other words, fashionable outfits are those that are moderately matched, not those that are ultra-matched (“matchy-matchy”) or zero-matched (“clashing”). This balance of extremes supports a broader hypothesis regarding aesthetic preferences–the Goldilocks principle–that seeks to balance simplicity and complexity.
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