Ritual Scenes in the <i>Iliad</i>: Rote, Hallowed, or Encrypted as Ancient Art?
Author(s) -
Margo Kitts
Publication year - 2011
Publication title -
oral tradition
Language(s) - English
Resource type - Journals
eISSN - 1542-4308
pISSN - 0883-5365
DOI - 10.1353/ort.2011.0007
Subject(s) - lament , literature , poetry , sacrifice , art , history , archaeology
To analyze ritual scenes in the Iliad, one first must contend with the myriad scenes scholars have deemed ritualistic. These include not only prayer, supplication, sacrifice, and oathmaking, 1 but also gift exchanges and hospitality,2 speechmaking and taunting,3 grieving and funeral ceremonies,4 and dressings and armings.5 Indeed, the whole performance of the Iliad has been described as a ritualized feature of Totenkult (Seaford 1994; Derderian 2001) or, less comprehensively, a performance of Todesdichtung permeated with themes of lament, lament itself being identified as a micro-ritual with discernible performance features (Tsagalis 2004). Expressly or not, Homerists have attuned their ears to rituals in the poem ever since Parry and Lord discovered the performance-contexts for bards in the Balkans (for example, Lord 1960:13-29). By analogy with those performances, the Iliad represents an artifact of an extensive tradition of ritual performance: the ritual performed was the poem.
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