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Oral Theory and the Limits of Formulaic Diction
Author(s) -
Margalit Finkelberg
Publication year - 2004
Publication title -
oral tradition
Language(s) - English
Resource type - Journals
eISSN - 1542-4308
pISSN - 0883-5365
DOI - 10.1353/ort.2005.0004
Subject(s) - diction , parry , style (visual arts) , epithet , literature , extension (predicate logic) , orality , linguistics , philosophy , composition (language) , history , noun , oral poetry , character (mathematics) , poetry , art , mathematics , sociology , computer science , pedagogy , artificial intelligence , literacy , programming language , geometry
It has been pointed out more than once that the theory of formulaic composition in the form originally given it by Milman Parry is far from homogeneous.1 Not only chronologically but also in content Parry's studies of the Homeric formulae fall into two parts: the French publications of the 1920s and the American publications of the 1930s. In the former, Parry showed, first, that there are formulae and formulaic systems in Homer, and second, that they are characterized by extension and economy. He identified the style he thus described as "traditional." It is only in the American publications of the 1930s that he introduced the hypothesis that the formulaic character of the Homeric style is to be explained by its being the characteristic style of oral composition. A by-product of this development was that for all practical purposes "oral" became identified with "formulaic," giving rise to the widespread view that 100[percent] orality amounts to 100[percent] formularity. From then on, to claim that Homeric diction is oral-traditional has become equivalent to claiming that all of Homer consists of formulae.

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