Hemingway, <i>The Fifth Column,</i> and the “Dead Angle”

early in 2008, The New York Times published an article containing excerpts from a Hemingway letter written 70 years before—a letter, according to the Times, that Hemingway had “hoped” would be published in the newspaper. So we have the title of the article, written by Charles McGrath, “Hemingway, Your Letter Has Arrived.” Most of the letter is about Hemingway’s stays at the Hotel Florida in Madrid during 1937 and 1938, and more particularly about the wartime conditions under which he composed his only full-length play, The Fifth Column. On the whole, the letter does not add any significant new details about the composition of the play or Hemingway’s purpose in writing it. But one phrase in the letter, “dead angle,” might be of interest to scholars writing about a common feature of the author’s work; namely, Hemingway’s interest in what can generically be called the “good place”; a place that also goes under names like “locus amoenus,” or “querencia” (Alinei, Monk).1 As described by Hemingway scholarship, a good place generally provides safety, rest and contemplation, and pleasant circumstances, as Room 109, Dorothy’s room, does in The Fifth Column. Safety, an escape from danger, or troubles, is a particularly salient feature of a good place. A wellknown example is the “querencia” from Death in the Afternoon, which Hemingway defines “as a place the bull naturally wants to go to in the ring; a preferred locality . . . where the bull makes his home” (DIA 150). A good place can also be an enabling location for a specific action, such as writing: “[Madrid] was always a good place for working. . . . So was Paris, and so [was] Key West, Florida in the cool months . . . Other places,” he