English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

ly also working on a project related to the deployment of images of the historical re ligious minorities of Spain in contemporary Spanish literature. The exact nature of the role played by Spain's Islamic/ Moorish heritage in the development of its national identity has long been polemic amongst Spanish writers, cultural historians, sociologists, and philosophers.2 Whether viewed as a toxic influence on Spanish culture, an essential part of a unique national identity or an irrelevant his torical parenthesis of no lasting impact, the Moorish/ morisco presence and its perceived contribution to contemporary Spanish identity is curiously versatile. Its apparently endless capacity for reinterpretation by generation after generation of writers and commentators for purposes more relevant to the present than to the past has been noted by Miguel ?ngel de Blunes in his introduction to Mercedes Garcia Arenal's

Turkish Delight: Antonio Gala's La pasión turca as a Vision of Spain's Contested Islamic Heritage