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In a 2005 public forum celebrating The Wire hosted by the Museum of Television & Radio, major figures from the production team and cast gathered to discuss the series and its impact. Cocreators David Simon and Ed Burns, among others, fielded questions from critic Ken Tucker before taking inquiries from the audience. One woman, who introduced herself as a criminal attorney, credited the show's many on-screen and offscreen contributors for their "realistic" elaboration of the investigation process. In the world of The Wire, a criminal investigation offers the narrative frame for each season. But, as a caveat to her praise, she offered one tar geted counterpoint, a moment in the series in which histrionics seemed to trump authenticity. She highlighted a scene occurring toward the end of the first season, a breakthrough in the series' first sustained case involving the Barksdale drug ring. In this episode, police investigators and a state attorney attempt to turn D'Angelo Barksdale, wayward nephew of king pin Avon Barksdale, toward testifying against his uncle's syndicate. Throughout the season, as the Barksdales became wary of the case against

The Last Rites of D'Angelo Barksdale: The Life and Afterlife of Photography in <i>The Wire</i>