Looking into the Nation's Heart: Gloria Rolando's Approximation to 1912

short, we get no real sense that the Foster family has made any headway in terms of colonizing their space within their host country. Finally, though the film certainly throws some light on the Foster family genealogy, one is not sure that for the young narrator Pablo Eliott Foster Carrion, it would have resolved the issue of helping him to embrace his multiple identities. In the end, the film made a more pow erful case for assimilation to the American cultural mainstream, than it made for the articulation of cultural differences. The real contribution