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Architecture And Artistic Practices In Fourteenth Century Castile: The Visual Memory Of Alfonso Xi And Pedro I Under The First Trastamaran Kings
Author(s) -
Elena Paulino Montero
Publication year - 2017
Publication title -
˜la œcorónica/˜la œcorónica
Language(s) - English
Resource type - Journals
eISSN - 1947-4261
pISSN - 0193-3892
DOI - 10.1353/cor.2017.0007
Subject(s) - nobility , historiography , architecture , spanish civil war , articulation (sociology) , period (music) , ancient history , key (lock) , history , art , classics , visual arts , archaeology , law , political science , politics , ecology , biology , aesthetics
In 1369 the Castilian Civil War came to an end when Pedro I was murdered by his stepbrother, Enrique II, the first king of the Trastámara dynasty. The importance of the artistic patronage of Pedro I and his courtesans is well known, but 1369 seems to stand as a historiographical watershed, as though the death of the king brought to an end a period of experimentation, interconnections and creativity.This article analyzes the architecture and artistic practices in Castile during the decades immediately following the end of the war, a key moment in the articulation of a Castilian courtly architecture. It considers how the artistic experimentation of the previous decades, which includes the reigns of Pedro I and his father Alfonso XI, was continued and revisited during the early years of the Trastámaras dynasty, not only by the kings themselves but also by the nobility.

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