OFWs in Foreign Cinema: An Introduction

Certain transformations presented themselves in the process of developing this special section. A draft of the paper I had provided for the first Kritika Kultura Global Classroom Lecture appeared to overlap with the journal’s call for papers on globalization and diasporic identity. I knew of two other colleagues working on similar material, and both of them expressed interest in responding to the CFP. None of us could expand our individual material to monograph length, however, so we toyed with the idea of creating a singular co-authored text.