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A major concern prevailing in the present day urban societies, especially Iran’s urban societies is the visual pollution resulting from a non compact city form. In this regard we are trying to study and examine the concepts and meanings of wholeness of urban graphics and its merits. we will study the history of wall painting and its varied forms including graffiti, relief and use of scripts in religious places, city squares, governmental buildings, and so on. In the current survey first we introduce the art of urban graphics and then go on to inspect possibilities of expanding the existing space as well as integrating and altering them to more humane places. Respecting to people’s inclination to enjoy or dismiss the application of graphics to the city and embracing the themes that people would like to accompany the art are among the main points that are discussed in the present study. key words: Graphic design, City as a whole, Visual Pollution, Tabriz, Vali’asr District

Role of Urban Graphics in Objectivity of A Compact City form Case Sample (Vali’asr District, Tabriz)