Ecosemiotic aspects of zoomorphic metaphors: The human as a predator
Author(s) -
Ariel Gómez Ponce
Publication year - 2016
Publication title -
sign systems studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.17
H-Index - 7
eISSN - 1736-7409
pISSN - 1406-4243
DOI - 10.12697/sss.2016.44.1-2.13
Subject(s) - rhetorical question , ideology , motif (music) , meaning (existential) , frontier , sociology , perspective (graphical) , metaphor , history , epistemology , aesthetics , anthropology , literature , linguistics , philosophy , art , politics , archaeology , political science , law , visual arts
Through history, predatory features are used to constructs when constructing textual representations on the human/animal frontier. The predatory act has remained a recurring motif that emerges from a metaphoric system in cultural imagination. An ecosemiotic approach to this topic allows us to understand how specific predatory behaviours constitute a source of meaning: in other words, how an alleged “animal tendency” is appropriated (translated) into various cultural texts through metaphors, creating a rhetorical order. To illustrate this, some features of metaphors of predatoriness in certain texts in Argentinian culture will be reviewed. A particularly vivid example is provided by two species, the cougar and the jaguar, that have generated cultural translations which expand and proliferate into contemporaneity. These translations constitute a form in which culture metaphorizes aggressiveness and interprets certain species from a historical and ideological perspective. The Argentinian cases suggest a revision of how history has treated the cultural other in terms of cultural and biological inferiority.
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