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Hidden principles of improvisation
Author(s) -
Jacques Coursil
Publication year - 2015
Publication title -
sign systems studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.17
H-Index - 7
eISSN - 1736-7409
pISSN - 1406-4243
DOI - 10.12697/sss.2015.43.2-3.05
Subject(s) - improvisation , synchronicity , novelty , perception , computer science , moment (physics) , communication source , casual , presumption , speech recognition , psychology , epistemology , communication , social psychology , philosophy , law , art , telecommunications , physics , classical mechanics , political science , visual arts
On the basis of the principle of non-premeditation of speech , we argue that the synchronicity of hearing shared by everybody present is incompatible with a division of time between a sender and a receiver of a message. The act of speech brings the participants together in a single moment of perception called a synchronous point . Both the act of speech and music do not appear through time; rather, speech and music create time. The present time of our casual experience always contains a part of radical novelty, probable a posteriori , yet never predicted. Despite our capacity to predict many things and repeat procedures, in the advent of a given moment, the present will always show its uniqueness. Thus, improvisation is based on two principles of uncertainty: the non-premeditated occurrence of speech and the non-predicted part of present time.

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